The Grand Illusion

An X-Rated descent into demented comedy and maniacal horror, as a desperate mother drags an innocent stranger into an absurd, filthy nightmare beyond comprehension. An unflinchingly loyal adaptation of transgressive artist Johnny Ryan’s joyfully disgusting comic book. Adults only.

Only in theaters, never streaming! Official selection: TIFF, Fantastic Fest, Beyond Fest

Writer/director Todd Rohal in attendance for Q&As after each screening! Creator Johnny Ryan scheduled to join on December 5th, along with Peter Bagge for a special pre-show conversation! Seattle legend Artis the Spoonman scheduled to join as special guest Q&A moderator on December 6th!

Exclusive Nude Blok/Perv-o-Vision reversible glasses will be for sale at the door (while supplies last).

“Five stars ⭐️⭐️⭐️⭐️⭐️⭐️⭐️” Sarah Squirm

Part 13: What story is that, Charlie?

Part 14: We are like The Dreamer.

Part 15: There’s some fear in letting go.

Part 16: No knock, no doorbell.

NOTE: We are promoting this as part of the TWIN PEAKS: THE RETURN event, but ticket prices are set by Northwest Film Forum for this particular screening.

A twisted reimagining of the controversial classic!

After witnessing his parents’ brutal murder on Christmas Eve, Billy (Rohan Campbell) transforms into a Killer Santa, delivering a yearly spree of calculated, chilling violence. This year, his blood-soaked mission collides with love, as a young woman challenges him to confront his darkness.

“With Silent Night, Deadly Night, Nelson further proves himself as a director unafraid to get a little weird with his movies. Sure, this is pure campy schlock, but that’s what you want from a movie about a serial killer dressed as Santa … weird, wild, and a lot of fun.” Mary Beth McAndrews, Dread Central

Did you miss Kelly Reichardt's THE MASTERMIND when it was at the multiplex? Perhaps you wanted to see it, but didn't want to go to a multiplex to do so. Were you hoping to catch it at an indie cinema? Or do you simply just want to see it again? No matter the circumstance, we've got you covered!

The latest work from one of our favorite filmmakers is set in a sedate corner of Massachusetts circa 1970, where an unemployed carpenter turned amateur art thief (Josh O'Connor) plans his first big heist. When things go haywire, his life unravels.

“Like so much of Reichardt’s output, The Mastermind feels modest when you’re watching it and downright brilliant once it’s had some time to settle in your mind.” Alison Willmore, Vulture

“This is O’Connor at his finest yet, and The Mastermind is the slinkiest, most satisfying piece of ‘mood cinema’ you’re likely to have seen for a long while.” Nick Howells, London Evening Standard

Director Ted Kotcheff’s action thriller masterpiece FIRST BLOOD (1982) is the one that started it all. Frequently overshadowed by the more cartoonish franchise sequels that followed, FIRST BLOOD emerges in this beautiful new 4K restoration as an expert class in the craft of genre filmmaking and a dramatic meditation on post-wartime veteran PTSD.

Sylvester Stallone plays John J. Rambo, bringing to life the character created by The Brotherhood of the Rose novelist David Morrell, the last of an elite special forces unit that served in Vietnam, who enters the small Pacific Northwest town of Hope where he is quickly targeted for harrasment by local law enforcement. Gorgeously shot by legendary cinematographer Andrew Laszlow (THE WARRIORS, SOUTHERN COMFORT, STREETS OF FIRE) and tautly edited by Joan Chapman, FIRST BLOOD is the most fun you will ever have watching an entire town blown to shit and the very timely subject of the National Guard being deployed against a U.S. citizen (spoiler: it does not go well for the National Guard)

Co-presented with Wyrd War, a Portland-based record label and guerrilla action group, specializing in the advancement and celebration of strange and wonderful film, music, and art. Above synopsis courtesy of Dennis Dread of Wyrd War.

“Stallone brought intense physicality, obviously, but also hangdog vulnerability to a character who takes revenge on a cruel, unfeeling establishment and utters some of the most iconic lines in shoot’em’up history.” Kevin Maher, The Times (UK)

With an uncanny resemblance to the icon himself, Charles Graves chases his dream of becoming a professional Deaf Santa Claus. Filmmakers chronicle Charles and his family as he attends Santa school and enlists the support of others in an attempt to better provide for his loved ones.

Directed by Ben Shelton and Anthony Mowl, the film offers unique perspectives on navigating Deaf and hearing worlds in a story about family, fatherhood, and creating new traditions.

Please note: This screening is presented with open captions.

“An uplifting look at passion and representation … Like its bubbly and lovable protagonist, this film is sure to put a smile on its audiences’ faces.” Abe Friedtanzer, Awards Buzz

“…the stuff that Christmas magic is made of.” Jennie Kermode, Eye for Film

Premiere screening! Two maladapted young women, both part of the same online gore enthusiast community, formulate a plan to meet in person with the intent that one will kill the other, film the killing, and sell the cameras that “watched” online to an unsuspecting customer in the hopes of spurring on a “new era of death.”

Presented with Scarecrow Video. Tickets are $10 for all for this screening, no discounts.

Part 17: The past dictates the future.

Part 18: What is your name?

Join Scarecrow and the Grand Illusion for our December members screening! Free for members, $10 at the door for non-members.

In this sci-fi cult classic, Zac Hobson, a mid-level scientist working on a global energy project, wakes up to a nightmare. After his project malfunctions, Zac discovers that he may be the last man on Earth. As he searches empty cities for other survivors, Zac’s mental state begins to deteriorate—culminating in the film’s iconic and hotly debated ending.

Become a Grand Illusion member here. 

“strong and refreshing…” Variety

“a tour-de-force sci-fi story…” AllMovie

“Quite simply the best science-fiction film of the 80s.” LA Daily News

Our 55th consecutive engagement of Frank Capra's holiday classic! We are still without a new home, so please join us for screenings at Northwest Film Forum. Pay-what-you-can and no one turned away for lack of funds at the Dec. 23 screening.

“It’s a great — really great — film, so densely well made that to watch any three minutes is to realize how paltry the vast majority of movies are by comparison.” Richard T. Jameson

“The epiphany of movie sentiment and a transcendent experience.” Dave Kehr, Chicago Reader